London: First Impressions [Mandrake Press & Holmes], 1995. Special Leather Edition, PC Copy [Printer's copy] initialed by the American publisher. A FINE VOLUME, quarter bound in black leather and cloth boards with marbled end papers, all edges gilt, ribbon marker, and illustrated stamped spine title -- uncirculated copy. Includes Frank.....

Thame, UK: First Impressions [Mandrake Press & Holmes], 1995. FIRST EDITION. A MINT COPY in black Aberlave cloth with marbled end papers. Introduction by Professor Roger Cardinal, the Surrealist scholar. For the first time, Spare's art is analyzed for its hidden symbolism, a symbolism so rich in the traditions of.....

London: Fulgur Limited, 2005. Special Edition 65 copies only, hand-numbered, and signed by Robert Ansell. A FINE COPY, bound in premium in black cloth in matching slipcase and dust jacket. More than 100 colored plates. Accompanying an exhibition at The Maas Gallery (15a Clifford Street, London, W1), the book contains.....

Italy: Migliussi, 1991. First Edition, limited, of 111 copies of which this is hand number seventy. In custom wraps and enamel papers; A FINE COPY, illustrated. Text in Italian. Small 4to.

London: Fulgur Ltd., 1992. FIRST EDITION, Limited and Hand-numbered. A MINT VOLUME with matching dust jacket. Two colored frontispieces by Austin Spare. The books are bound opposite one another (Tête-bêche) -- one flips the book vertically to read the other, this is a book without end. Marvelous private press work.....

London: Mandrake Press, 2012. Limited Edition of 300 numbered copies. A FINE COPY, bound in premium black cloth, with blind stamped panels with gilded emblem, with a black silk marker. Beautifully illustrated and designed with rare Spareiana. Colored frontispiece. Commentary by William Wallace. Edited by Tony Naylor. Afterword by Stephen.....

UK: Fulgur Limited, 2012. Limited to 88 hand-numbered copies only. A FINE COPY, quarter bound in true vellum and custom cloth, with flourishes, and slipcased. The FOCUS is arguably the most biographically significant of all Spare's published works. Often obscure, magical and fragmentary, it invites exploration of a strange Nietzschean.....

London: First Impressions (Mandrake Press & Holmes), 1993-95. DeLuxe Limited edition of 100 numbered copies. A FINE DELUXE SET in small folio. Bound in leather and boards with marbled end papers, all edges gilt, and ribbon marker. Compiled and edited by A.R. Naylor. With additional material by Frank Letchford, Clive.....

London: First Impressions (Mandrake Press & Holmes), 1995. FIRST EDITION. Bound in quarter leather with gilt titles, marbled end papers, and a ribbon marker; A FINE VOLUME, In small folio. Printer's copy, unnumbered. Full page plates and illustrations. Edited by A.R. Naylor. With additional material by William Wallace, Roger Cardinal.....

London/Seattle: First Impressions (Mandrake & Holmes), 1992. FIRST EDITION. A MINT COPY, unopened and unread, and still partially wrapped in the paper covering from thirty years ago. Marbled end papers. Hundreds of Austin Spare Illustrations, book plates, and erotic images. This volume also offers the complete text and art of.....

Italy: Migliussi, 2017. Limited Edition of 300 copies only of which this is hand number 15. A FINE COPY in custom art card. Italian ediotn of "The Book of Pleausre" with all illustrations beautifully reproduced. Preface by Knneth Frant, and introduction bt Ernest Collings. 68 pages. Small folio.

Feb, 1955 to July, 1955. In presentation folder, labeled; A Fine set of photocopies taken from the original letters from Spare's residence on Wynne Road, London to his student and friend, Frank Letchford, and includes Frank's typed transcription of each piece. Most needed as AOS's penmanship can be difficult to.....

London: Fulgur Limited, 2008. FIRST LIMITED EDITION. 741 hand-numbered copies. Premium cloth and custom end papers; A FINE COPY IN FINE DUST JACKET. One of the major lost works, this unpublished sketchbook of 20 vigorous, yet haunting, studies was created during a bleak period in Spare's life. Designed as a......